Store – In the new store, you can browse all the latest radioeins products and all items from the radioeins promotions, as well as unique recommendations. There is plenty of seating available on a platform opposite the stage. On Fridays, for example, at the radioeins Soundcheck, where music connoisseurs discuss the latest new music releases. From Mondays to Thursdays (7:00 pm – 9:00 pm) and Fridays (7:00 pm – 11:00 pm), you can experience live radio up close and personal. To stay with the picture: That is actually the highlight.Live– studioeins is the new home of the radioeins broadcasts. At the “Nasty” contest, Berliners should shout out how naughty they are in order to declare Berlin the world capital of naughty people.įinally, a giant penis the size of a zeppelin is inflated and held towards the audience while Peaches walks in it – it really is a great show.Īnd then comes the number everyone has been waiting for: “Fuck the pain away”, which has just been voted the best song about sex of all time by Radio Eins listeners. There’s more dicks, clits and tits in the lyrics, and more vaginas are taken for walks. The show repeats itself a little, only it is applied thicker. Peaches is now performing more old songs and a few new ones that she wrote during the worst of the Corona months. The audience knows: One song is still missing. When the “Teaches of Peaches” album has plowed through, it still goes on. At the “Nasty” contest, everyone yells how naughty they are Peaches wears a top that says “Thank God for abortion.” A nod to the United States, where reactionaries who want to legislate to curb women’s rights are guaranteed to have a heart attack if they watch a Peaches show. A strip show becomes a sex show, and soon you have the feeling of attending an orgy. The dancers behind Peaches continue to undress, at some point they become entangled. Anyone can stage dive, she moves on a sea of hands and keeps singing. It doesn’t take long before Peaches is literally being embraced by her audience. It goes back and forth between club music, hip hop and a mix of heavy metal and punk. From now on, the rock instruments work against the electronic sound. Then she accompanies a guitarist who cultivates a gothic style as if it were 1981, finally a drummer joins them. Peaches comes on stage alone – with her drum machine, with which she became famous in her early days in Berlin. The audience carries Peaches on their hands Whereby Peaches appears half-naked most of the time anyway, which is admittedly a somewhat eccentric stage look. The star of the evening seems to force himself into a different outfit with every new song. The queers are her favorite audience, they visibly form the majority in her sold-out concert.Įveryone has dressed up as if they were trying out their CSD outfits, at least some glitter on their faces is part of it. It’s no coincidence that Peaches performs the day before Pride, coinciding with the Dyke March, which parades through the streets just a few yards from Huxley’s. She works her way through song by song, “Set it off”, “Lovertits”, the hits of an album that has long been a classic of the now half-forgotten Electro-Clash genre. In Berlin, too, the Canadian who lives here does not appear to present a new record, but an old one, “The Teaches Of Peaches”. It’s been a while since her last album, you haven’t heard much from her for a long time.
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